They then threw everything out but their primary parts, and went searching for the right musicians to fill out the remainder. Pinhas’ solo work covered a lot of ground. Pinhas issued one of his most ambitious projects with ‘s Desolation Row. It also included a collaborative track with novelist Delaume. Process and Reality, titled for philosopher Alfred North Whitehead’s seminal work of , was issued the same day and placed Pinhas in a trio setting with Yoshida and Merzbow the first time they had all played together. The author read from the works of the late Deleuze’s works with the guitarist playing in real time with electronic sound manipulation, and offered a fitting tribute to the radical thinker. East-West was Pinhas’ most commercial work.
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You look like someone who appreciates good music. The studio set Welcome in the Void with drummer Tatsuya Yoshida was the second « devolution » installment, while Tikkun, a live date with Oren Ambarchiincluded performances on the second half from MerzbowDuncan Nilson-Pinhas, and Borelva. Pinhas retired from music until the release of DWW, which contained work musi the period Pinhas met Japanese electronic and noise master Masami Akita aka Merzbow while on tour. Reverse was released in January It also included a collaborative track with novelist Delaume. Mu was a structured studio improvisation date co-billed to guitarist Barry Cleveland.
The rhythm section included bassist Michael Manring and drummer Celso Alberti.
After Schizo’s demise, Pinhas formed Heldon, whose only constant was himself. Paganotti and the violinist also appeared on ‘s double-length, conceptual Metatron, titled for an angel from the Judaic misic Kaballah texts. The guitarist also performed with Akita and Wolf Eyes at that year’s Festival International de Musique Actuelle de Victoriaville in Victoriaville, Quebec, resulting in a live album issued in You look like someone who appreciates good music.
It also included a collaborative track with novelist Delaume. Pinhas met Japanese electronic and noise master Masami Akita aka Merzbow while on tour.
Tranzition followed in with Paganotti on drums and Philippe Simon on violin. Arriving inSchizotrope: The words — either taped or cut live in real time, in English and French — added layers of sound, texture, and conceptual meaning to Pinhas’ music.
Richard Pinhas on Spotify
The following year, he paired with longtime associate Tatsuya Yoshidaand Acid Mothers Temple ‘s Makoto Kawabata for Trax, a set of live, in-studio improvisations. The Iceland LP successfully captures the feel of an ancient, frozen land. French guitarist Richard Pinhas led the group Heldon fromreleasing seven albums with that group and six solo LPs, often featuring members of Heldon.
Process and Reality, titled for philosopher Alfred North Whitehead’s seminal work ofwas issued the same day and placed Pinhas in a trio setting with Yoshida and Merzbow the first time they had all played together. Mksic was Pinhas’ most commercial work.
To play this content, you’ll need the Spotify app. The year proved equally prolific for Pinhas.
Pinhas sur Apple Music
It established the beginning of his longstanding relationship with United States-based Cuneiform Recordshost label to the majority of his recordings since then, although the deal was not exclusive. In he became a part of Schizo, a group whose music contained a great deal of electronics. His first solo LP, Muslc, was performed entirely on synthesizers, except for drums on the side-long title track. Pinhas toured the U.
Pinhas’ solo work covered a lot of ground.
He also recorded his first date for Germany’s Bureau B. Among his other activities, Pinhas also began experimenting with projects using spoken word during the late ’90s a methodology he first employed with Heldonspoken by pinhass 20th century visionaries and futurists including philosopher Gilles Deleuze, science fiction writers Norman Spinrad and Philip K.
Get Spotify Open Spotify. Born inPinhas earned a Ph.
The following year, Hakata Shibuya: The author read from the works of the late Deleuze’s works with the guitarist playing in pinhad time with electronic sound manipulation, and offered a fitting tribute to the radical thinker. Together with Ambarchihe cut the skeleton of the album in Paris, playing all the instruments.
They then threw everything out but their primary parts, and went searching for the right musicians to fill out the remainder. Mu was a structured studio pinhaa date co-billed to guitarist Barry Cleveland. Two more live dates with Merzbow — Rhizome and the retrospective Paris — were released in Cuneiform again released two very different albums simultaneously: Reverse was released in January The first part of a projected « devolution » trilogy that examined the global cost of neoliberalism and what he called « teknofascism, » it was a militant continuation of the sonic, political, and social aesthetics that first emerged during his participation in the student revolts in Paris of Chronolyse ranges from simple sequencer pieces to « Paul Atreides, » a minute piece performed by Heldon.
Schizotrope III with Dantec, a studio effort.